Erin Murphy
  
Lately, it seems we've turned into 
one of those Arcimboldo prints, 
the reversible onesthis way, 
a basket of vegetables; that way, 
a man's bulbous face. 
One minute we're naked, sweaty bodies-- 
the next: popcorn-munching video drones. 
 
And the momentthe moment 
is like the old woman 
who invited you in for tea 
when you only wanted to sell her 
a raffle ticket. You should have 
covered the whole block, 
but there you were, sinking 
into a down-filled davenporther word- 
discussing the derivation of "lady's fingers." 
 
But where was I? Oh yes: 
our relationship. Re-la-tion-ship. 
Perhaps the problem is too many 
syllables, though the nautical 
allusion has a nice ring (oh boy). 
If we could say "our love" 
and be done with it, or better yet "it"-- 
it's the only "it" that matters, 
after allwe could cut this 
freeze-frame crap and dive 
head-on into montage.
  
In another Arcimboldo print 
"The Lawyer"a bull's ass 
is the Adam's apple. Ah, symbolism.
  
All our faces come back 
vegetables from the frame shop. 
But it's okay. For once, a carrot 
is only a carrot.
  
 
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With apologies to Giuseppe Arcimboldo...
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